{"id":186,"date":"2012-01-29T23:07:57","date_gmt":"2012-01-30T07:07:57","guid":{"rendered":"http:\/\/www.philshackleton.com\/site\/?page_id=186"},"modified":"2017-11-16T21:54:34","modified_gmt":"2017-11-17T05:54:34","slug":"consulting","status":"publish","type":"page","link":"https:\/\/www.philshackleton.com\/site\/consulting\/","title":{"rendered":"Consulting"},"content":{"rendered":"<p>I&#8217;m available for consultation in using Logic Pro software for composition\/arranging, audio recording and editing, real-time MIDI data processing, plug-in configuration, sample library setup, synthesizer programming, and special applications. \u00a0If you want to ask me about it, contact info is <a href=\"http:\/\/www.philshackleton.com\/site\/sample-page-2\/\" target=\"_blank\">here<\/a>.<\/p>\n<p><em>As a consultant I&#8217;ve worked for<\/em><\/p>\n<h3><strong>Lee Ritenour, Grammy winning jazz guitarist<\/strong><\/h3>\n<p>MIDI and synthesizer programming, audio\u00a0synchronization, session recording consulting, transcriptions and chart prep<\/p>\n<p style=\"padding-left: 30px;\"><em>A Twist Of Marley<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records<\/p>\n<p style=\"padding-left: 30px;\"><em>This Is Love<\/em>\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I.E. Music<\/p>\n<p style=\"padding-left: 30px;\"><em>A Twist of Jobim<\/em>\u00a0\u00a0 \u00a0 I.E. Music<\/p>\n<p style=\"padding-left: 30px;\"><em>Best Of Fourplay<\/em>\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Warner Brothers<\/p>\n<p style=\"padding-left: 30px;\"><em>Alive In L.A.<\/em>\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records<\/p>\n<p style=\"padding-left: 30px;\"><em>Larry &amp; Lee<\/em>\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records<\/p>\n<p style=\"padding-left: 30px;\"><em>Wes Bound<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records<\/p>\n<p style=\"padding-left: 30px;\"><em>Fourplay<\/em>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Warner Bros.<\/p>\n<h3><strong>Patti Austin, jazz vocalist<\/strong><\/h3>\n<p>MIDI and synthesizer programming, audio\u00a0synchronization, session recording consulting,\u00a0transcriptions and chart prep<\/p>\n<p style=\"padding-left: 30px;\"><em>That Secret Place<\/em> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records<\/p>\n<h3><strong>ANRI, Japanese popular vocalist<\/strong><\/h3>\n<p>MIDI and synthesizer programming, audio\u00a0synchronization, session recording consulting<\/p>\n<p style=\"padding-left: 30px;\"><em>ANRI<\/em> \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0GRP Records<\/p>\n<h3><strong>Technical Consultation for musical artists\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/h3>\n<p>Software and hardware selection and setup,\u00a0studio processes, configuration and application.<\/p>\n<p style=\"padding-left: 30px;\">Lee Ritenour, Don Grusin, Dave Grusin, Harvey Mason, \u00a0Russ Ferrante, Henry Mancini,\u00a0Yutaka, ANRI.<\/p>\n<h3><strong>Consultation to publishing companies\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/h3>\n<p>Editing, advice on topics for publication,\u00a0reviewing, marketing, technical support.<\/p>\n<p style=\"padding-left: 60px;\">Katamar Publications<\/p>\n<p style=\"padding-left: 60px;\">Alexander\u00a0\u00a0Publications<\/p>\n<p style=\"padding-left: 60px;\">C-LAB GMBH<\/p>\n<p style=\"padding-left: 60px;\">Emagic GMBH.<\/p>\n<h3><strong>Consultation to educational institutions \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/h3>\n<p><strong>\u00a0 <\/strong><em>Using computer music systems to teach music theory\/comp, music tech, recording\/mixing, etc.<\/em><\/p>\n<p style=\"padding-left: 30px;\">Azusa Pacific University (Azusa CA)<\/p>\n<p style=\"padding-left: 30px;\">Methodist College (Fayetteville NC)<\/p>\n<p style=\"padding-left: 30px;\">The Hartt School, University of Hartford (Hartford MS)<\/p>\n<p style=\"padding-left: 30px;\">Cal Baptist (Riverside CA)<\/p>\n<p style=\"padding-left: 30px;\">Citrus College (Glendora CA)<\/p>\n<p style=\"padding-left: 30px;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 (including design of their computer based teaching lab).<\/p>\n<p style=\"padding-left: 30px;\">Mid-America Christian University (OK City, OK)<\/p>\n<h3><strong>Consultation to music software companies \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/h3>\n<p><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Documentation, application, development.\u00a0\u00a0 Training software support personnel.<\/p>\n<p style=\"padding-left: 60px;\">C-LAB, Digidesign, Emagic, Ensoniq.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m available for consultation in using Logic Pro software for composition\/arranging, audio recording and editing, real-time MIDI data processing, plug-in configuration, sample library setup, synthesizer programming, and special applications. \u00a0If you want to ask me about it, contact info is here. As a consultant I&#8217;ve worked for Lee Ritenour, Grammy winning jazz guitarist MIDI and synthesizer programming, audio\u00a0synchronization, session recording consulting, transcriptions and chart prep A Twist Of Marley \u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records This Is Love\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 I.E. Music A Twist of Jobim\u00a0\u00a0 \u00a0 I.E. Music Best Of Fourplay\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Warner Brothers Alive In L.A.\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records Larry &amp; Lee\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records Wes Bound \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records Fourplay\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Warner Bros. Patti Austin, jazz vocalist MIDI and synthesizer programming, audio\u00a0synchronization, session recording consulting,\u00a0transcriptions and chart prep That Secret Place \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GRP Records ANRI, Japanese popular vocalist MIDI and synthesizer programming, audio\u00a0synchronization, session recording consulting ANRI \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0GRP Records Technical Consultation for musical artists\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Software and hardware selection and setup,\u00a0studio processes, configuration and application. Lee Ritenour, Don Grusin, Dave Grusin, Harvey Mason, \u00a0Russ Ferrante, Henry Mancini,\u00a0Yutaka, ANRI. Consultation to publishing companies\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Editing, advice on topics for publication,\u00a0reviewing, marketing, technical support. Katamar Publications Alexander\u00a0\u00a0Publications C-LAB GMBH Emagic GMBH. Consultation to educational [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages\/186"}],"collection":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/comments?post=186"}],"version-history":[{"count":16,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages\/186\/revisions"}],"predecessor-version":[{"id":635,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages\/186\/revisions\/635"}],"wp:attachment":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/media?parent=186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}