{"id":299,"date":"2012-02-04T15:53:57","date_gmt":"2012-02-04T23:53:57","guid":{"rendered":"http:\/\/www.philshackleton.com\/site\/?page_id=299"},"modified":"2023-07-27T23:31:14","modified_gmt":"2023-07-28T06:31:14","slug":"listen","status":"publish","type":"page","link":"https:\/\/www.philshackleton.com\/site\/listen\/","title":{"rendered":"Listen"},"content":{"rendered":"<h5><span style=\"color: #000000;\">This is a small selection of things to hear.\u00a0 I&#8217;ll add more as time permits.<\/span><\/h5>\n<p>____________________________________________________<\/p>\n<h1>Compositions<\/h1>\n<h4>May Christ Be At Home In Your Hearts<\/h4>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/May-Christ-Be-At-Home-In-Your-Hearts.mp3?_=1\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/May-Christ-Be-At-Home-In-Your-Hearts.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/May-Christ-Be-At-Home-In-Your-Hearts.mp3<\/a><\/audio>\n<p><span style=\"color: #0000ff;\"><span style=\"color: #000000;\">It starts very softly, then gradually grows. You may need to turn up your volume. \u00a0It isn&#8217;t compressed. \u00a0\u00a0For SSAATTBB mixed choir, <\/span><\/span><span style=\"color: #000000;\"><span style=\"color: #0000ff;\"><a href=\"http:\/\/www.lorenz.com\/product.aspx?id=10_3488R\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #0000ff;\">published with Roger Dean Music, a division of Lorenz<\/span><\/a><\/span>. \u00a0\u00a0You can look at some of it <span style=\"color: #0000ff;\"><a href=\"http:\/\/www.lorenz.com\/Med\/Pages\/10_3488R.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color: #0000ff;\">here<\/span><\/a><\/span> as you listen.<\/span><\/p>\n<h4>Music for the video Adaptive Kenpo<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Jerry-video.mp3?_=2\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Jerry-video.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Jerry-video.mp3<\/a><\/audio>\n<p>This is title music for a martial arts training video.\u00a0 The production company liked it so much that they asked for more transition pieces to connect the segments of the instructor hurling hapless extras around the dojo.\u00a0\u00a0The big hits in this title segment coincide, you guessed it, with kinetic events onscreen, mostly punches, kicks, and other moves best left undescribed.\u00a0 The commission was to create an &#8220;updated Asian feel.&#8221; \u00a0Hmmmm&#8230;..<\/p>\n<div>\n<h3><em>DECADANCE<\/em> for chamber orchestra<\/h3>\n<\/div>\n<p>is described <a href=\"http:\/\/www.philshackleton.com\/site\/2012\/01\/27\/decadance-three-dance-movements-for-chamber-orchestra\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>. \u00a0 The three movements, performed by the Claremont Chamber Orchestra:<\/p>\n<h4>I. \u00a0Bossa Blue<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/I.-Bossa-Blue-EQ.mp3?_=3\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/I.-Bossa-Blue-EQ.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/I.-Bossa-Blue-EQ.mp3<\/a><\/audio>\n<h4>II. \u00a0Courante<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/II.-Courante-EQ.mp3?_=4\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/II.-Courante-EQ.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/II.-Courante-EQ.mp3<\/a><\/audio>\n<h4>III. \u00a0Cartoon Choreography<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-5\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/III.-Cartoon-Choreography-EQ.mp3?_=5\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/III.-Cartoon-Choreography-EQ.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/III.-Cartoon-Choreography-EQ.mp3<\/a><\/audio>\n<p class=\"p1\">\n<h4><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"http:\/\/www.philshackleton.com\/site\/2017\/10\/12\/concerto-for-piano-and-jazz-band\/\">Concerto for Piano and Jazz Band<\/a><\/span>\u00a0 &#8212;\u00a0 video at the link<\/h4>\n<h4><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"http:\/\/www.philshackleton.com\/site\/2014\/04\/08\/music-for-faustus-a-new-adaptation\/\" target=\"_blank\" rel=\"noopener noreferrer\">Music for Faustus<\/a>\u00a0<\/span>\u00a0&#8212;\u00a0 video at the link<\/h4>\n<h4>Out Of The Fog<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-6\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2020\/11\/Orch-Opener-v68-demo.mp3?_=6\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2020\/11\/Orch-Opener-v68-demo.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2020\/11\/Orch-Opener-v68-demo.mp3<\/a><\/audio>\n<p>This has only been performed once so far, and the acoustics were bad enough that the recording wasn&#8217;t usable, so this is just a synth demo made in Logic Pro. \u00a0You can read more about it <a href=\"http:\/\/www.philshackleton.com\/site\/2012\/02\/06\/out-of-the-fog\/\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n<h4>Sheer Self-Indulgence<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-7\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sheer-Self-Indulgence-APU-demo-mix-v4.mp3?_=7\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sheer-Self-Indulgence-APU-demo-mix-v4.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sheer-Self-Indulgence-APU-demo-mix-v4.mp3<\/a><\/audio>\n<p>This was premiered at the Reno NV Jazz Festival by the APU Jazz Ensemble. It features Gino Munoz on flugel\/trumpet, and Amy Rowe on piano.\u00a0 An interesting aspect of this one&#8230;\u00a0 it has a couple of French Horns added to the typical big band, a request of the ensemble director, David Beatty.\u00a0 The title reflects the fact that I put all my favorite jazz ballad stuff into this one&#8230;\u00a0 so it&#8217;s probably harmonically denser than is the norm, but I admit that it was like cooking my favorite meal, and then eating it.<\/p>\n<h4>Transformations for Wind Ensemble<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-8\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Transformations-live-edit1.mp3?_=8\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Transformations-live-edit1.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Transformations-live-edit1.mp3<\/a><\/audio>\n<p>From a performance about 20 years ago by the Azusa Pacific University Wind Ensemble<\/p>\n<h4>Cape Fear Moods: \u00a0I. \u00a0Romance<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-9\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Cape-Fear-Romance-v34-DEMO-v3.mp3?_=9\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Cape-Fear-Romance-v34-DEMO-v3.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Cape-Fear-Romance-v34-DEMO-v3.mp3<\/a><\/audio>\n<p>Composed for the 2015 Cape Fear New Music Festival.\u00a0 You can read more about <a href=\"http:\/\/www.philshackleton.com\/site\/2015\/04\/23\/cape-fear-moods\/\" target=\"_blank\" rel=\"noopener noreferrer\">Cape Fear Moods here<\/a>.<\/p>\n<h4>Cape Fear Moods: \u00a0II. \u00a0Parade<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-10\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Cape-Fear-Parade-v41-DEMO-v2.mp3?_=10\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Cape-Fear-Parade-v41-DEMO-v2.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Cape-Fear-Parade-v41-DEMO-v2.mp3<\/a><\/audio>\n<p>Composed for the 2015 Cape Fear New Music Festival<\/p>\n<h4>Variance: for Clarinet and Piano<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-11\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Variance.mp3?_=11\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Variance.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Variance.mp3<\/a><\/audio>\n<h4><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"https:\/\/www.philshackleton.com\/site\/2023\/07\/27\/duality-for-violin-and-piano\/\" target=\"_blank\" rel=\"noopener noreferrer\">Duality for Violin and Piano<\/a><\/span>, three movements totaling about 13 minutes, video and notes at the link.<\/h4>\n<h5><\/h5>\n<h5>As time permits, I&#8217;ll be adding more here. \u00a0Stay tuned!<\/h5>\n<p>_________________________________________________________<\/p>\n<h1>Arrangements<\/h1>\n<h4>God Brings Down The House<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-12\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/God-Brings-Down-The-House.mp3?_=12\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/God-Brings-Down-The-House.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/God-Brings-Down-The-House.mp3<\/a><\/audio>\n<p><span style=\"color: #0000ff;\"><span style=\"color: #000000;\">From the children&#8217;s musical &#8220;Samson!&#8221;, songs by Eric Rainwater.\u00a0 I always thought this one was fun, and more than a little sardonic here and there.<\/span><\/span><\/p>\n<h4>Silent Night for choir and orchestra<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-13\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Silent-Night-1.mp3?_=13\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Silent-Night-1.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Silent-Night-1.mp3<\/a><\/audio>\n<p>This is performed by the Azusa Pacific University Choir and Orchestra. \u00a0You may have some trouble getting this from the publisher, since it&#8217;s been sold and re-sold. \u00a0If you&#8217;re interested in performing it, let me know and I can make it available to you, either with piano accompaniment or orchestra score and parts.<\/p>\n<h4>Jingle Bells<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-14\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Jingle-Bells-Citrus.mp3?_=14\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Jingle-Bells-Citrus.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Jingle-Bells-Citrus.mp3<\/a><\/audio>\n<p>For a live stage show with incredible choreography to accompany it.\u00a0 It&#8217;s not totally clear to me if I have the rights to this chart&#8230;\u00a0 so I&#8217;m sort of sneaking it onto the listening list here, and hoping it&#8217;s OK with the show producer.\u00a0 The last time I saw this produced live, they knocked it so far out of the park it was in the next county over.\u00a0 It&#8217;s written to work live with a small pit orchestra, not depending on studio magic and overdubs to happen.<\/p>\n<h4>Sweet Little Jesus Boy for choir and orchestra<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-15\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sweet-Little-Jesus-Boy.mp3?_=15\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sweet-Little-Jesus-Boy.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sweet-Little-Jesus-Boy.mp3<\/a><\/audio>\n<p>This is the Azusa Pacific University Choir and Orchestra<\/p>\n<h4>Praise to the Lord, the Almighty<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-16\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Praise-to-the-Lord-The-Almighty-piano-and-orch.mp3?_=16\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Praise-to-the-Lord-The-Almighty-piano-and-orch.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Praise-to-the-Lord-The-Almighty-piano-and-orch.mp3<\/a><\/audio>\n<p>This is a bit of an oldy.\u00a0 It was the mid 1980s.\u00a0 There weren&#8217;t really good sampling systems around, and no notation software that was worth the trouble.\u00a0 The commission was to write an arrangement of Praise to the Lord, the Almighty for piano and orchestra, while trying to suggest a bit of a Prokofiev vibe, for use as introductory music to a Haven of Rest radio program.\u00a0 This was all written on score paper in pencil.\u00a0 I passed it off and had nothing to do with the production process itself.\u00a0 The piano still sounds pretty good, because it&#8217;s a real piano.\u00a0 The synth sounds are dated&#8230;\u00a0 but you might appreciate the arrangement, anyway.\u00a0 It wasn&#8217;t sequenced.\u00a0 The pianist literally played all this wild to 24 track analog tape, a track at a time.\u00a0 And mixed.\u00a0 Given the limitations of the day, he did a brilliant job.\u00a0 (If I can get his permission, I&#8217;ll put his name here later.)<\/p>\n<h4>Leaning On The Everlasting Arms<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-17\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/LeaningON.mp3?_=17\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/LeaningON.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/LeaningON.mp3<\/a><\/audio>\n<p>For solo piano and violin, and full orchestra (even though this has a jazz flavor, all the notes are written in the solo parts&#8230;. \u00a0which doesn&#8217;t stop an enterprising performer from coloring outside the lines a bit). \u00a0This performance features Duane Funderburk on piano and Alex Russell on violin. \u00a0The orchestra parts are of only moderate difficulty, since the performers used this on tours where they had minimal rehearsal time with the local orchestras with which they performed.<\/p>\n<h4>Lord, I Want To Be A Christian<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-18\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Lord-I-Want-To-Be-A-Christian-mix2.mp3?_=18\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Lord-I-Want-To-Be-A-Christian-mix2.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Lord-I-Want-To-Be-A-Christian-mix2.mp3<\/a><\/audio>\n<p>This is performed by the Azusa Pacific University Choir.<\/p>\n<h4>Tinseltown Finale<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-19\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Tinseltown-Finale-Pt-1%262.mp3?_=19\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Tinseltown-Finale-Pt-1%262.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Tinseltown-Finale-Pt-1%262.mp3<\/a><\/audio>\n<p>What happens when a producer for a huge stage show with a cast of zillions tells the arranger to write a Finale that goes through about 12 feel changes (not to mention three set changes) and fits ten songs and a dance break into less than 7 minutes? \u00a0Well&#8230;. \u00a0 this.\u00a0 It&#8217;s not too far over the top&#8230;\u00a0 or not much, anyway.\u00a0 This show ran for about a year in Anaheim, CA, just down the street from Disneyland, at the appropriately named Tinseltown Theater.\u00a0 This is from the cast album.<\/p>\n<h4>Sunrise, Sunset<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-20\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sunrise-Sunset.mp3?_=20\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sunrise-Sunset.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Sunrise-Sunset.mp3<\/a><\/audio>\n<p>I&#8217;m trying to decide if I think this one is advanced elevator music, or if it&#8217;s just a nice, warm arrangement of a standard. I guess I&#8217;ll leave it up to you to decide.<\/p>\n<h4>We Wish You A Merry Christmas (big band)<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-21\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/We-Wish-You-A-Merry-Christmas-.mp3?_=21\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/We-Wish-You-A-Merry-Christmas-.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/We-Wish-You-A-Merry-Christmas-.mp3<\/a><\/audio>\n<p>My apologies if a seemingly disproportionate number of the arrangements on this page are for Christmas music&#8230;. but as most working musicians know, that&#8217;s the time of the year a lot of work comes.<\/p>\n<h4>Lord, Hear Me Prayin<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-22\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Lord-Hear-Me-Prayin.mp3?_=22\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Lord-Hear-Me-Prayin.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/Lord-Hear-Me-Prayin.mp3<\/a><\/audio>\n<p>Another of the spirituals.<\/p>\n<h4>She Won&#8217;t Look Back<\/h4>\n<audio class=\"wp-audio-shortcode\" id=\"audio-299-23\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/She-Wont-Look-Back-MIX-DEMO.mp3?_=23\" \/><a href=\"http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/She-Wont-Look-Back-MIX-DEMO.mp3\">http:\/\/www.philshackleton.com\/site\/wp-content\/uploads\/2012\/02\/She-Wont-Look-Back-MIX-DEMO.mp3<\/a><\/audio>\n<p><span style=\"color: #000000;\">From the children&#8217;s musical &#8220;Night At The Bible Museum!&#8221;, songs by Eric Rainwater.\u00a0 Look, I know this is trivial&#8230; but it&#8217;s just too much fun, a ditty about Lot&#8217;s wife.<\/span><\/p>\n<h3><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>This is a small selection of things to hear.\u00a0 I&#8217;ll add more as time permits. ____________________________________________________ Compositions May Christ Be At Home In Your Hearts It starts very softly, then gradually grows. You may need to turn up your volume. \u00a0It isn&#8217;t compressed. \u00a0\u00a0For SSAATTBB mixed choir, published with Roger Dean Music, a division of Lorenz. \u00a0\u00a0You can look at some of it here as you listen. Music for the video Adaptive Kenpo This is title music for a martial arts training video.\u00a0 The production company liked it so much that they asked for more transition pieces to connect the segments of the instructor hurling hapless extras around the dojo.\u00a0\u00a0The big hits in this title segment coincide, you guessed it, with kinetic events onscreen, mostly punches, kicks, and other moves best left undescribed.\u00a0 The commission was to create an &#8220;updated Asian feel.&#8221; \u00a0Hmmmm&#8230;.. DECADANCE for chamber orchestra is described here. \u00a0 The three movements, performed by the Claremont Chamber Orchestra: I. \u00a0Bossa Blue II. \u00a0Courante III. \u00a0Cartoon Choreography Concerto for Piano and Jazz Band\u00a0 &#8212;\u00a0 video at the link Music for Faustus\u00a0\u00a0&#8212;\u00a0 video at the link Out Of The Fog This has only been performed once so far, and the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages\/299"}],"collection":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":176,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages\/299\/revisions"}],"predecessor-version":[{"id":767,"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/pages\/299\/revisions\/767"}],"wp:attachment":[{"href":"https:\/\/www.philshackleton.com\/site\/wp-json\/wp\/v2\/media?parent=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}