by
shack
on
Jul 27, 2023 •
Performed by Alex Russell, violin, and Joel Clifft, piano, for the College Music Society Conference at Azusa Pacific University on Feb 25, 2022. Published by Ars Nova Press, available at https://tinyurl.com/4yx5p3va Duality ©2021 by Phil Shackleton, All Rights Reserved. You can listen to it here, or you can click one of the timings below to...
by
shack
on
Oct 12, 2017 •
This is the fourth movement, named Run! Doh!, of Concerto for Piano and Jazz Band. The idea was to create a concerto in the classical forms for a pianist who does not improvise in the piece, but who would be a player with sympathy and affinity for the jazz style. The performer here, Prof. Joel...
by
shack
on
Apr 23, 2015 •
The Cape Fear New Music Festival invited me to compose a piece for their ensemble for the festival that took place on April 18, 2015. In response, I composed Cape Fear Moods which has two movements, Romance and Parade. The ensemble is unusual. It’s instrumentation is piano, flute, alto sax, trumpet, tuba and percussion (pitched or unpitched)....
by
shack
on
Apr 8, 2014 •
Rachel Tracie, Chair of the Theater Department in College of Music and Arts, Azusa Pacific University, has written a play updating the Christopher Marlowe classic, named Faustus: A New Adaptation. Prof. Tracie’s concept for this play involved original music to be composed specially for the play, and we eventually settled on a pianist situated in...
by
shack
on
Feb 9, 2012 •
I composed Our Father, Lord and Shepherd in memory of Jennifer Monique Tinker, 1994-2009. Jennifer was a home-bound student due to a very rare genetic disease, the complications of which prevented her from attending an institutional school. My wife was Jennifer’s teacher in her last year of life. Jennifer was a lovely child, full of...
by
shack
on
Feb 8, 2012 •
May Christ Be At Home In Your Hearts is a composition for mixed chorus. It’s available from Lorenz/Roger Dean Publishing. You can see part of it there, and also listen to a performance of it. Here is the amount of it that the publisher allows you to see, for purposes of review. It’s based on...
by
shack
on
Feb 6, 2012 •
Out of the Fog was partly composed while I was in the hospital, and in a pharmaceutically induced state of fog, using a laptop and a small keyboard with ¾ size keys. The pseudo-minimalist gestures in the opening began that way (one wonders if that has been the genesis of more than one minimalist-influenced composition),...
by
shack
on
Jan 27, 2012 •
I gave Decadance its title in an innumerate state of mind, in which I simply miscounted the number of parts it has; I only remembered to count the five wind parts and the five string parts, and forgot the percussion and piano. I counted ten, and it is a set of dances, hence the title, along with...
by
shack
on
Jan 21, 2012 •
As the 2012 election season rolIs around again, it seemed a good time to mention that I scored the film Media Malpractice, about the 2008 election, produced by John Ziegler. Here’s the IMDB link and the trailer (which, unfortunately, isn’t too representative of the musical cues in the film). You can watch the whole thing on...
by
shack
on
Jan 21, 2012 •
I hope to be putting up some audio clips of this soon. With his crew of 27 men, Sir Ernest Shackleton set sail from England in August 1914 in the Endurance, with the intent of being the first to completely cross Antarctica on foot, having just missed being first to reach the South Pole. Already...